Still life painting, charged with memory
Familiar objects become points of connection between past and present. Each painting begins with something ordinary, but carries the memory, recognition or story that has gathered around it.
The Past Beneath was selected for the Royal Academy Summer Exhibition in 2025, followed by Paper Curse and Witness in 2026. All three originals sold through the exhibition.
The journal follows the deeper thread I keep discovering through this work: the pull of familiar things, the gift of recognition, and the shared memories that connect a generation.
Familiar British objects, food and domestic details painted with controlled light and close attention to form. A quieter side of my work, rooted in the long tradition of still life.
A collection of original oil paintings, including recent works and previously exhibited pieces. New originals are added throughout the year, with subscribers receiving first access.
ORIGINAL WORK
British still life artist Rebecca Ritchie paints familiar objects with a particular focus on memory, childhood and the visual traces of everyday life. Her work has been selected for the Royal Academy Summer Exhibition and other major UK exhibitions.
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Testimonials
Why my frames are made to order.
Proudly bespoke.
When I first looked into offering framed prints, I couldn’t find off-the-shelf frames I was proud to put my name to. So I didn’t.
Instead, I worked with my printer and framer, a local craftsman I trust completely, to develop something I’d be happy to hang in a gallery or in my own home. These are the same works that have been exhibited at institutions such as The Royal Academy, Mall Galleries, and the RBA. The prints deserve frames that reflect that.
Every framed order is made individually, for you. When you choose your print and frame, you are commissioning a piece that doesn’t exist yet. It will be built, finished, and fitted by hand, once, for your order, for your wall.